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Posts Tagged ‘urban fantasy’

What Genre?

August 21, 2009 garridon 2 comments

Nathan Bransford has up a poll asking what genre everyone’s writing in.   Mine is a urban fantasy–not on the list, so I ended up picking fantasy, because that’s where it would be shelved.

But mine is more of an urban fantasy with a thriller basis.  Think Clive Cussler, James Rollins, or Vince Flynn with magic.  I ended up coming over to urban fantasy because, during the writing of my last book, the thriller genre changed.  The elements I liked were replaced by gratuitous violence and gritty stuff.  I was seeing an amazing amount of thrillers lop off a finger or hand or gouge out eyeballs.  The books were also tending to turn more towards crime (this has changed since I switched genres.  I’ve seen a few more treasure hunt novels).

So I weighed in what genres I was reading and came up with four possibilities: thriller, mystery, fantasy, and urban fantasy.  Mystery came off the list because I really didn’t want to write about crime.  Fantasy came off because world-building wasn’t for me.  Thriller, of course, had changed too much for me, so that left urban fantasy.

I remember thinking, “But I don’t want to write about vampires and werewolves.”  While I like reading the books, I don’t get excited over coming up with a story about them.  So then, I thought, “Why not a treasure hunt with magic?”

Which is where the story came from.

Categories: writing Tags:

Gothic Fiction

February 4, 2009 garridon Leave a comment

In developing the next book, I started thinking about it along the lines of something like the Phyllis Whitney books, though with a urban fantasy twist to it (haven’t figured out how I will do that).

Wisegeek gives a defintion of what I was processing for the story:

Gothic fiction places heavy emphasis on atmosphere, using setting and diction to build suspense and a sense of unease in the reader. Common subject matter includes the supernatural, family curses, mystery, and madness.

Phyllis Whitney often had a main character who ended up going to the family home in a specific location–the location being an important part of the story.  The character didn’t have a lot of contact with that part of the family, and when she arrived, she was unwanted.  Soon, a mystery would emerge, and she would have to solve the mystery.  Someone would make an attempt on the character’s life, like trying to push her off a cliff.

Granted, most of her books are fairly old, but maybe this would provide a fresh take on something.  Magic and gothic just seems to fit together.

Developing the Next Book

February 3, 2009 garridon Leave a comment

I have about 25K left on my urban fantasy, and I hope to have it done in the next couple of months.  But that means I have to be thinking about what the next book is about.  Being a writer doesn’t just mean writing one masterpiece and waiting for an agent to pick it up; it means coming up with another book and learning from the mistakes of the previous one.

The next one feels like it wants to be in first person.  I originally started out thinking that I needed to write in omniscient again, but, oddly, the setting didn’t fit omniscient.  The setting, by the way, is Morro Bay, a seaside town in California.

My father prompted the idea for the location.  He called me one day and reported on a major drug bust that had occured.  Given that he’s in the Los Angeles area, this wasn’t really news.  Drug busts are pretty common.  The local Jack-in-the-Box (similar to Burger King or McDonalds) used to have people shooting up in the bathrooms.

But then he said, “Guess where?”  I thought about it for a bit and finally said, “Morro Bay?”  Being a small, quiet town where you might go to retire, it seemed a very unlikely place for a drug bust.  But my guess was right.  I suppose that’s why it took so long for the police to track the guy down.  There just wasn’t a reason to look in Morro Bay.

I’ve been doing research on and off on the town.  Even though I’ve been there, I want a sanity check on what I remember.  Delicious has been great for saving links for research.  You can check some of them out here:  http://delicious.com/Garridon/morro_bay

The book looks like it will be a urban fantasy/paranormal with a gothic slant.

Hard Stop for Finishing

January 3, 2009 garridon Leave a comment

I now have a deadline to get my urban fantasy done:  June 20.  That’s the American Independent Writers conference.  Every year I run the pitch sessions, and this time I want the opportunity to also do two pitches.

My deadline includes the following:

  • Writing and finishing the book
  • Taking a break from it.  I think it’ll need to be four to six weeks.
  • Editing/proofreading pass.  I think this will take about a month.  In addition to typos, I have to hit minor things I’m accumulating on a to-do list, checking for repetitions and problem words, and looking for any viewpoint problems.
  • Writing the query and synopsis.  Query’s already done and just needs revision, but the synopsis will need to be done from scratch.

The hardest thing is the first one, writing and finishing.  I’m still having a lot of trouble with a crucial subplot.  It’s part of the hook, so it really needs to work and work right.

Categories: Magic Stud Tags:

Writing Snippet: Omniscient Viewpoint

December 23, 2008 garridon 1 comment

This is a scene that was originally in my urban fantasy.  I was writing in first person, hit this scene, and realized that first just wasn’t doing what the story needed.  Since I had just done omniscient viewpoint in a workshop, I tried it and this was the result.  It convinced me to write the book in omniscient, though the scene ended up on the cutting room floor.

 The snippet:

The first thing visitors noticed when they entered Governor Isai’s apartment was the smell. Thirty years’ worth of cigarette smoke permeated everything, discoloring the walls, the outdated furniture, and even the artwork.

Keymas followed a houseman to a conversational area near a window. Though the curtains were open, light struggled to brighten the dark room A sofa and loveseat were arranged in an L-shape around a small coffee table. A tea service with unmatched chipped eggshell china sat on the table, dangerously close to a full ashtray.

The houseman bowed. “The governor will be with you momentarily.”

Once the houseman left, Keymas nudged the ashtray away from the teapot with a spoon. Tea was better if it didn’t taste like cigarette smoke, though with butter tea, it would be an improvement. The smell was worse than the cigarette smoke.

‘Momentarily’ was exactly twenty-three minutes.

Keymas stood as Isai emerged from another doorway. Standing was a sign of respect for the position of governor, though Keymas did not respect the man himself. It was difficult enough pretending to be a subordinate of Isai.

“Good morning, Governor,” Keymas said, bowing. The bow was properly respectful, neither too shallow or too deep; yet, there was also a suggestion of arrogance, as if Keymas thought himself more important than Isai.

Isai tossed the morning’s newspaper on the table, the tabloidy headline prominently displayed: “Magic Stud Buys Dud.”  The painting made a full page day for the House, since Chardoney’s murder occupied the below the fold slot.

Keymas glanced at it. “Nice photo of me. They got my good side.”

“Park it.” Isai flapped his hand at Keymas to sit down. He set out his favorite ceramic mug, stained from years of use, and filled it from the teapot.

To be polite, Keymas filled a cup halfway. He tried not to look too closely at what was floating on the surface. Normally, he would have turned down the offer or requested an alternative. Most people wouldn’t have thought twice.

Isai wasn’t most people. He considered an insult not to drink what was offered, even if the other person hated it. An Eighth House trait, Isai’s House of Origin. The newer generation of Eighth House were drifting away from the custom, but people Isai’s age still followed it.

“Why is it that I have sixty-three Kai and you’re the only one I have trouble with?”

That accusation would make most people try to answer it, defend themselves. But Keymas was an old pro under the spotlight. Nothing showed on his face, no anger, no defensiveness, nothing but pleasantness. One never knew when a paparazzo might be lurking.

“I can’t imagine. Sugar?” Keymas offered a chipped sugar bowl filled with cubes.

Isai batted aside the sugar bowl, nearly knocking it from Keymas’ hand. “Where’d you get it from?”

“It was on the table. Do you want the houseman to send up different sugar?”

“Not the sugar. The money. To pay for the damn painting!”

The Distance in Omniscient Viewpoint

December 16, 2008 garridon Leave a comment

Several years ago, a writer in my critique group submitted a couple chapters from the thriller he was writing.  It was in omniscient viewpoint, and it was so distant, it was like it pushed me away.  I didn’t understand why until recently.

I just finished Black Magic Woman, which is an urban fantasy done in omniscient.  It didn’t push me away like the writer from critique group; but it was rather distant.

Why?  What makes it different from J. K. Rowlings, Clive Cussler, Vince Flynn, and other similar writers?

The omniscient narrator had personality. 

With Black Magic Woman, it felt to me like the narrator was reporting objectively on what was happening.  Factual yes, but it didn’t add anything to the personality of the story or the characters.   I kind of wish it had; the characters reminded a little of Mr. Steed and Mrs. Peel. 

Not sure about the critique group piece, though.  I wish I still had it so I could look at it again.  I’m guessing it was some combination of reporting objectively and word choice.

Swallowing Darkness by Laurell K. Hamilton

December 14, 2008 garridon 4 comments

I remember when I saw my first LKH book.  The title caught my eye, and I took it off the shelf. Looked at the back.  Whoa!  It was about a woman protagonist. There just weren’t a lot of books around like that at the time. 

Her book Swallowing Darkness is the seventh in the Merry Gentry series.  Merry is a princess in faerie, and the series started with the queen requiring Merry to get pregnant.  Caught up in faerie politics, Merry has to do it or someone will eventually kill her.  Merry is pregnant with twins by six different fathers in this book.

I’d like to write a description of what this book is about, but the plot is missing in action.  Merry runs from crisis to crisis, reacting to everything, and that’s about it.  This has been an unfortunate trend in previous LKH books–no plot or maybe only a few chapters of it, and the rest is crisis management or sex.  The sex is thankfully not a focus in this book, but the crisis management is in full force, and important details that might have been a story get forgotten in favor of crisis management.

Each crisis runs at breakneck speed, with the whole story crammed into what appears to be a very short period of time.  I’m saying this because I get the impression that time doesn’t actually exist in the book.  The sun doesn’t come up or go down, and characters don’t stop to sleep or have dinner.  After a while, it starts to feel tiresome rather than action-packed.

Throughout the book, when a crisis happens, Merry conveniently gets a new power to solve the problem.  Even the goddess fixes a few problems at Merry’s request.  The purpose of a book is to watch the main character try to solve the problems, not have magic or gods solve it for them.

This book feels like she’s run out of ideas and is tired of this series but still has to do something with it.  The books gives me the impression not a lot of effort and thought was put into developing it.

Categories: Book_Reviews Tags: , ,

Reading Outside the Genre

December 13, 2008 garridon Leave a comment

Though I’m writing an urban fantasy novel, I read all kinds of books.  You’ve probably seen some reviews for Christian books.  The CEO of the company, whose blog I read, introduced a program to promote his company’s books.  I thought, “Sure, why not?”  It’s not what I would normally read, but it does get me to see things in different perspectives.

For example, if I only read Urban Fantasy, I probably wouldn’t know that there were viewpoints other than first person. I haven’t seen an Urban Fantasy in anything but first person until the last two weeks (now I’ve seen not one but two books in omniscient).

I used to know someone who wanted to write a novel, but he didn’t read unless the book met a very specific and narrow criteria.  It meant he didn’t read much to start with, and he was likely to read more non-fiction than fiction.  How do you learn to write fiction if you don’t read it?  How do you learn how to develop a story, probably the hardest skill of all?  As a result, he always had trouble grasping what the story was.

Read lots of books.   Experiment with others outside of your genre.  Your writing will benefit.

The Devil’s Due by Jenna Black

December 9, 2008 garridon Leave a comment

The Devil’s Due is the third book in an Urban Fantasy series about  an exorcist who is also the reluctant host to the King of Demons, Lugh.  I’m not sure how I missed the other two books, especially since the idea of an exorcist sounds pretty cool, and it doesn’t appear to have been done before.

Morgan Kingsley  is asked to exorcise a demon who is possessing the son of a wealthy couple.  The mother is convinced that her son wasn’t  willingly possessed, even though there are legal records showing the opposite.  Morgan can’t do the exorcism without being charged with murder, so instead, she investigates what might have happened to the son.

My first reaction to this story is that it’s been done before, and it’s been done a whole lot better.  The basic premise follows what Laurell K. Hamilton did in her Anita Blake series (the early books) and feels a little too much like a copy, rather than an original.

But I also had a suspension of disbelief problem right from the start.  It’s the “legalized demon possession.”  Considering how deeply ingrained fears of possession are in our culture, I just can’t believe that “legalized demon possession” would be voted into law.  Such a law would be disputed in courts for years and then probably never passed.

The main character, like most urban fantasy heroines, is a smart-mouth.  She spends quite a bit of the book insulting people for, at least to me, no apparent reason.  As a result, I found her rather unlikable.

Lugh, the demon king, is described “the gorgeous rogue demon.”  That implies a lot, but the only thing close to sparks is that we get descriptions of what Lugh wears.

One of the things that disappointed me the most, though, is that the author never showed us what an exorcism looked like.  It was always a vague paragraph involving vanilla-scented candles.  Considering that’s a major piece of story, I would have expected something more than a paragraph where I read right past it without realizing the exorcism had occurred.

Just a disappointing book for me.

Another Author Who Writes in Omniscient

December 3, 2008 garridon Leave a comment

I picked up an Urban Fantasy novel last weekend and surprise, surprise–it’s not in first person.  It’s in omniscient.   The book is called Black Magic Woman, and it’s by Justin Gustainis.